"Saving Face" Pakistan’s first Academy Award nomination

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Saving Face brings together the hard work and creativity of an ambitious filmmaker, the dedication of a passionate doctor, and determination of valiant victims of acid attacks.

LAHORE, February 24, 2012 – On 26th February 2012, the world will discover three different faces of Pakistan during the 84th Academy Awards, with the nomination of a Pakistani documentary ‘Saving Face’ for the best documentary (short subject). 

The first face is the Pakistani filmmaker who is contending for the Oscar, the second is the internationally acclaimed British-Pakistani plastic surgeon who traveled to his motherland to heal victims of acid attacks, and last but not the least is of the heroic survivors of acid attacks who are struggling to deal with the consequences of their disfigurement.

‘Saving Face’ tells the story of a British-Pakistani plastic surgeon, Dr. Muhammad Jawad, who traveled to Pakistan to treat acid attack victims. Jawad has made several trips to Pakistan with surgical teams to work with the victims. He also organized a major medical relief effort to help earthquake survivors in Pakistan in 2005. In 2008, he received widespread public and international media attention when he performed his pioneering treatment on British model and television presenter Katie Piper, whose ex-boyfriend threw acid on her face.   

Central characters of this documentary are two women, Zakia and Rukhsana, from southern Punjab who survived acid attacks and have been fighting for justice ever since. Instead of only portraying the misery of the victims, the film focuses on the vigor with which they endure the process of emotional and physical healing.

Sharmeen Obaid-Chinoy is the first Pakistani filmmaker to win an Oscar nomination for co-directing this film with Daniel Junge. Obaid-Chinoy previously won an Emmy award for her film Pakistan’s Taliban Generation. This film was also the recipient of the Alfred Dupont Award and the Association for International Broadcasting Award. Obaid-Chinoy is the first non-American to receive the Livingston Award for best international reporting. In 2007, she received the broadcast journalist of the year award in the UK from One World Media for her work in a series of documentary films. For her work on other films, she also received the Overseas Press Club Award, the American Women in Radio and Television Award, the Cine Golden Eagle Award and the Banff Rockie Award.

Above all, this documentary, along with its accolades, is truly a testimony of the devotion and fervor with which Sharmeen, Dr. Jawad, Zakia and Rukhsana are pursuing their individual goals. Saving Face brings together the hard work and creativity of an ambitious documentarian, the dedication of a passionate doctor, and determination of valiant victims of acid attacks.

The film also emerges as a face-saver for Pakistan, amid growing negative perceptions about the country worldwide.

The Oscar nod for Saving Face recognizes of a Pakistani filmmaker and sends message to all the ambitious Pakistanis and the world that hard work pays off, no matter where you live and your passion to prevail over the crisis can take you places whether you are a filmmaker, a doctor or a survivor.

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More from Pakistan: The Untold Story of Trauma, Transition, and Opportunity
 
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Mudassar Ali Khan

Mudassar hails from northern Punjab of Pakistan and belongs to a family that has contributed to the politics, education and social development of the area. His diverse academic background ranges from a conventional style of schooling in a small city to the GCSE’s in a metropolis and further education in British universities. He is currently working for a semi-government development organization in Pakistan.

Mudassar feels that Pakistan’s image is falling prey to the growing polarization among its people, leading towards country’s stereotypical depiction influenced by the ideas stemming from either religious radicalism or liberal fascism.

A typical Pakistani does not relate to any of those extremes and his side of story is yet to be told.

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